It’s a commitment to intensity that has served him well, and for the second time in a row, he has brought his characters to San Francisco.  2020’s “The Invisible Man” was set mostly in San Francisco,

The writer-director was partially inspired by a close friend who died of ALS, but ultimatley lost a scene involving the affliction: "That's definitely one that hurt when I took it out."

The staggering natural beauty of the Pacific Northwest becomes a bloodied hunting ground in writer-director Leigh Whannell's latest stab at monster mayhem: Wolf Man (now playing in theaters everywhere;

Wolf Man 2.5 out of 5 Stars Director: Leigh Whannell Writers: Leigh Whannell, Corbett Tuck, Lauren Schuker Blum, Rebecca Angelo Starring: Christopher Abbott, Julia Garner, Matilda Firth, Sam Jaeger Rated: R for bloody violent content, grisly images and some language.

Unfortunately for Universal/Blumhouse, it doesn't look like director Leigh Whannell is going to be able to repeat the success of his take on The Invisible

Leigh Whannell talks to us about modernising Wolf Man for today's audiences, the success of his previous film The Invisible Man and whether he'll be making any other Wolf Man movies.

Invisible Man director Leigh Whannell has said he wanted to put a new spin on the tired and tested werewolf horror movie with his latest film Wolf Man.

The Wolf Man director talks body horror, the joys of practical effects and the influence of Michael Haneke and Jonathan Glazer.

I was so happy with Invisible Man’s ending that I just don’t feel the artistic need to go forward with it,” he tells THR. “The financial need is something different. The studio might look at that and say,

Wolf Man director Leigh Whannell also explains how films like American Werewolf In London pushed him to think outside the box for the transformation.

Leigh Whannell’s Wolf Man boasts some impressive filmmaking and fresh spins on werewolf lore, but its story lacks bite.

"Wolf Man" writer-director Leigh Whannell told UPI he wanted his modern re-imagining of the classic Universal Pictures monster to be simultaneously familiar and distinct.